Luxury style lessons from the Netflix show

In the 1980s the stiff shoulders of Yves Saint Laurent and Claude Montana drop into tight hips and blistered sleeves with tight sleeves. Camille’s character wears structured blazers in a more relaxed way, rather than as corporate armor, letting herself be enveloped by the oversized cut, with sleeves continuing the exaggerated proportions.

The look is brilliant on your feet, but throwing your jacket over the back of a chair is worth it when seated, as Camille demonstrates in the first episode of Season 2, when seriously structured shoulders come almost ear-level.

Lesson 3: prints in proportion
The plethora of prints that Emily braves in Paris is a visual antidote to the sea of ​​beige, black and denim usually found in the cafes and bars of the Marais. The character’s bravery in mixing prints should be celebrated, but the result is often overwhelming, especially when superimposed on Lily Collins’ petite frame.

Perfect and extreme prints. Emily takes a more is more approach to the model in the second season of “Emily In Paris”.Credit:Carole Bethuel / Netflix

Wearing a ribbed Versace knitted polo over vintage high-waisted Mugler shorts (with navel prerequisite), Emily excels. Complementary colors, print proportion, and similar strobing provide a thoughtful clash with a fantastic result.

Later in the season her patchwork Dolce & Gabbana mini dress is already heartburn visual, with disparate polka dots and floral prints, but the addition of a printed Christian Louboutin bag and a fisherman’s hat brings the ensemble’s budget to over $ 5000. Either way, that’s too much.

Lesson 4: Extreme accessories
Patricia Field has understood the power of accessories from her time onwards Sex and city, having elevated Manolo Blahniks, Fendi baguette bags and name necklaces to bestseller status. But for each baguette there was a bandana, bandeau top, or patterned scarf that failed to capture shoppers’ imaginations.

In Emily in Paris it’s the oversized sunglasses and knee-high boots that manage to steal the spotlight. If the knee-high alone wasn’t enough of a statement, in Emily in Paris the boots are in animal print, lilac and pink tulle.

Be careful. Look for a sturdy heel if you want to survive something as hard as Paris cobblestone. I once spent months in Rowing fashion office listening to a designer planning his first Paris fashion week outing with a pair of expensive Balenciaga boots. The heel broke the moment she got out of the taxi, leaving her bouncing at the first show.

Accessories overload.  Fingerless gloves push the envelope in 'Emily in Paris'.

Accessories overload. Fingerless gloves push the envelope in ‘Emily in Paris’.Credit:Carole Bethuel / Netflix

The sunglasses in the series come from a variety of labels, including Valentino and Miu Miu. Look for bold geometric shapes with oversized proportions. Skinny models from the 1990s failed to register on the left bank, with Emily and her friends preferring an update on Audrey Hepburn’s hidden approach as seen in classic films Two for the road And How to steal a million.

Finally, beware of fingerless gloves. Making sense of Emily’s adherence to fingerless gloves is the most challenging aspect of the second season of the series. Was she a Michael Jackson fan? Had Joan Collins warned her of the effects of the sun’s aging on your hands?

The answer is much simpler. Patricia Fields partnered with Seymoure Gloves on a collection of colorful styles, starting at $ 298 ($ AU413). This is one for electric scooter fans or enthusiasts.

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